Kora
&
Roan

poems by Larry Bierman



The technological capacities of media are context-independent.
         – Marshall McLuhan






 











Kora & Roan © copyright 2004
by Larry Bierman & beggarbooks.com
Norman, Oklahoma

~ii~


Index
  1. 1Ideas/Theology
  2. Killer Good Looks/Your Mode
  3. Celebrations/Diva Date
  4. Rhetorical Questions #1 & #2/Clouds Fade as Only They
  5. 5Accounts/Action
  6. Mambo Was Humongous/Handsome Remembered
  7. As Armadillos Head for High Ground
  8. Daddy's Boy/Belongings
  9. Write Poems About
  10. Asleep@Work/Totally Disposable/Geek Streak
  11. Blesséd/Fizz/In Time
  12. The Dada Saints/Very Sick People
  13. Buz Smith/Worked
  14. 14Mistakes
  15. 15Story/Lunch
  16. What Works/Over the Mountain/Outrè
  17. 17Fate
  18. There Is a Woman in China
  19. Murders in Time/Gorgeous Frogs
  20. Directive/Your Book/If Joe had a Feather
  21. Mambo's Garden/Symphony
  22. Kora Zone
  23. Sheriff's Sale – Today/Alas, a Landscape
  24. Fair Day/Unemployed
  25. Cinema/Liberated Blues
  26. Haute Couture/Living Proof
  27. Kora on the Battlefield/Travel
  28. Obituary Complaint/Attention

~iii~


Introduction

        We are out of context, i.e. we are all out of context. I use the word extext because even normal words have double meanings.
        If context is a place then that place has been taken by some other reality, or some neo-reality, a quasiality – as in “each event has it's own.” Each object/action must be taken on its own. Any definitions become counter intuitive. Whatever is can never be in that the process of becoming has already occurred. Change is only necessary when totals do not come out as whole dollars.
        The poems are chosen, though the process is more synchronistic and anomalous than purposeful or constructed.
        Whatever structure may have been applied is as a result of force of habit; this is, one of many chapbooks I have produced.
        There is no unity of mind. There is only a fraction. Our psyche is divided into mind units. Replay is self-awareness – this has been demonstrated. Action and repetition create a contextual illusion. Any performance of this work, even a casual reading, makes a set. This is not context. It is overlaid image. Much as an actor performs in front of a “blue screen” so that whatever background can be applied later, these poems stand against the white noise which is the essence of contemporary life.

        Larry Bierman
        Norman, OK
        Wednesday, August 11, 2004

~iv~


Ideas
That we are alive.
That we convince ourselves.
That time passes.
That we are connected.
That no two people.
That people know too.
That life lasts.
That lasting lingers.
That lingering has consequences.
That consequences must be paid.
That situations evolve.
That circumstances spin.
That no good will come.
That life is good.
That ends have means.
That moments mean more.
That connections fray.
That people regardless.
That we near.

Theology
Here we begin to outline
what might be the appropriate
contents of a human mind.
Bliss has been this: zero,
unencumbered emptiness,
an ego with nothing to confess.

~page 1~

Killer Good Looks
Kora has been alive long enough
to have friends who died years ago
and to have friends who are murderers;
who are still in jail for killing friends,
who have been dead for years now.
It is with some reluctance that she
introduces one acquaintance to another.
They shake hands and start shooting.

Your Mode
Delete the sundown.
Put an owl on the handle.
Wobble down the walk.
Let the night freeze tight.
A girl's mind is so nice.
No pockets in her outfit.
Intramurals keep us dry,
the Spanish intramurals.
No way till summer heats.
Flowers seed themselves.
Gavottes sting the radio.
Bees break against glass.
People yell to thank you.
Malicious possibilities lurk.
A big moon blinks on hold.


~page 2~

Celebrations
Throw Kora a party.
She needs a grudge.

Diva Date
Mambo was folding plastic sacks
and Roan thought it was raining.

It rained and he thought
she was running her bath.

She was talking on the phone
but he thought the TV was on.

Her door was closed so Roan
imagined no one was home.

The postman came late
and so didn't bring the mail.

Mambo put away groceries
and ordered herself a pizza.

Where did she put the check
if she didn't pay the bills?

As the night progressed
he accomplished less and less.


~page 3~

Rhetorical Questions #1
What is he thinking?
Was there an idea?
Who had this thought?
Can we see now?
When was it important?
Could it have been?

Rhetorical Questions #2
What?
What?

Clouds Fade as Only They
When Kora died
the mirror came alive.
Clouds rolled across
the otherwise sky.
Pages in the windows
curled in unison.
Something like shadows
from Venetian blinds,
Kora lived her life
reading between lines.


~page 4~

Accounts
We have no lack of lack.
We have all the need we need.
Surplus is in demand.
It may be more than enough.
It's less than we can stand.
Starve the stricken. Feed the fat.
Shortage is in ample supply.

Communicate the breakdown.
On second thought, don't.
You're deluded if you think.
You're screwed if you can't.
Do you really value anything?
Then put a price on it.
See if it sells.
        Fine print guarantees.

Action
“It's time for our 3:00 p.m.
improvement,” Mambo says
and pours iced tea
down her leg.
        It's a big spoon day
        in Mambo Land.
        Give that baby its thang
        and play the armpit band.


~page 5~

Mambo was Humongous
Mambo wrote a big black hymn
to the lemmings among us.
“Glory to the end of numbers!”

She was so double-jointed
she could stick her little finger
in her ear and pick her nose.

This morning making biscuits
she was dancing on the flour,
She was rolling in the dough.

Her toes are powdered white.
Her arms are soft as bread.
If no one smells the bacon
then Mambo's still in bed.

Handsome Remembered
Ray Milland was a movie star
at the beginnings of plastic surgery.

Remember his X-ray eyes,
those films all in black.


~page 6~

As Armadillos Head for High Ground
Past 2:00 a.m. and the rain sounds,
which at other times would keep me cozy
under the covers and fuzzy with the dog,
have me awake wide and at the windows.

Ten inches in two days, televised images
of submerged trucks, trailer homes
full of muck, big men in tree houses
and snakes taking refuge have me restless.

Kora said, “Those clouds look big and heavy.”
Roan asked if they needed wheelchairs,
if they were that fat. And Kora laughed.
At about that same time a new car

hydroplaned off an interstate bridge
into the roiling Wichita. A girl drowned.
Hundred degree days and not a
drop for the whole summer.

There were wildfires in the woods
and heatstroke at softball games.
The governor asked folks to pray.
All prayers answered this week
way past the point of blessing.


~page 7~

Daddy's Boy
When he was a boy Roan sang in the choir,
swam in the relay and studied nature.
He believed in Jesus and won trophies.
They said he was smart for his age
and when he wasn't being silly he was cute.

Now stout in the middle, middle-aged,
middleclass, politically middle of the road,
a middle American marriage and all
the love an indifferent Heartland can muster,
he no longer sings in the shower nor competes.

Trophies get dusty, lose their luster
The lesson of the sinner's hair is that
Jesus had dirty feet, ate meat and bled.
If life has a payout it's like a coupon.
Though, after the lawn's mowed, the game
is over, after barbecue, the kids in bed,
Roan belches in his recliner. Ah, heaven.


Belongings
Kora gave
        and gave
and well.


~page 8~

Write Poems About
The Mexican road worker
in his insulated overalls.
The young programmer who used to
        earn 50 grand a year and can't
        get his van out of impound.
The owl in the backyard.
The old woman with her four-foot
rough-hewn walking stick.
The biggest house in a small town.
The aged man with his spotty tattoos.
Music as a mélange, or excuse.
Context worn thin, as per ambiance, malaise,
        degraded environment, gauzy paradigms,
        dispersed diasporas, collapsed dialectic.
Magazine readers in a bureau waiting room.
Women who bleach their hair,
dye their shoes and say “ain't.”
Death in an oversized wheelchair.
The crazy man living across the corner.
A library book sale.
Girls jogging together with cell phones.
Clothes on hangers in the trash.
Elderly slackers.
Time to spend.
Neo-punks who wear fur and drive big trucks.
The freedom to want, whatever.
Ladies who mean well.
Gentlemen.

~page 9~

Asleep@Work
The telephone rings
and bones shatter.
Once again flames shoot
through this air-conditioned hell.
Jack mumbles corporate scripts.
Boy, does he get an earful.

Totally Disposable
The last words you may ever hear
have gone in one ear.
Each creation dissipates,
stases in places
and not even a cracker to munch.
Jack, you haven't been fasting.
How many women
on how many cell phones
before the world implodes?

Geek Streak
The boy who calls himself “Hz”
just finished downloading
four-hundred seventy-four
critical updates form Microsoft.
The mainframe blows.

~page 10~

Blisséd
Clouds fray and fall
from the ominous sky,
a ceiling like creation.
Splatters of water
make everything messy.
Here is were Roan starts
his pain complaints --
the eyes, the elbows.
Why has he been
smashing into doorjambs?
How many times
can he slip on one step?

Fizz
Kora rides a Ferris wheel
made of dreams and soda.

In Time
You can watch the grass grow.
It's not that things are that slow.
It's that the grass
        grows so fast.


~page 11~

The Dada Saints
        for Craig Duncan

Meet Brad and Kelly
to do the display window.
Our art sits on the edge of chaos,
feet in gloves, painted dummy parts,
unattached arms and legs, a doll,
altered paintings from the garbage
and thinly masked abstractions.

Later Kelly Brad and I
tour the Native American Art Train
parked on the neighborhood track.
I love the pot called “Shifting Sands”
and the basket woven from movie film.
John Brandenburg sits in a folding chair
making verbal copies of each object.
Tomorrow's rearview headlight.

Very Sick People
The patients this morning
all speak in past tense and rapidly.
They see no clear present
much less future. Much less.
They talk about going to school,
how it's been sixty years.
They only know what was taught.


~page 12~

Buz Smith
Buzzy's been chewing gum
stealing software
and breaking the wings off statues.
“Why should concrete fly?”
He wants to know.

Buzzy's been burning
family letters from 1865.
He wants to forget the Civil War.
He wants a watermelon sky.
He likes sugar ice and snow.
Won't say why.

Buz has his own business
keeping old people safe from
little kids,
His advertising budget includes
two cans of spray paint
and a knife.

Worked
Every working day
for six solid years
I have sat at this desk
staring at rough red bricks.
Being buried is much like this.


~page 13~

Mistakes
 
I woke up with
a black mark
against my name.
Mother always said
I had a talent
for confusion.
 
Today I will
write into the night
on invisible paper.
All I know is
I have no say so.
Hush my mouth.

I will fling
little thoughts
into the storm.
But if someone
will open this
pill bottle . . .

If someone will
paint the sky
Klondike blue . . .
 
If the technicians
would please. . .

 

~page 14~

Story
 
One man steals the identity of another man.
The identity the man steals is of a man wanted for murder. The identity thief ends up on death row because he cannot prove he isn't the person whose identity he has assumed. Meanwhile
the real accused murderer reads about the case in the paper and so takes the identity of the man who stole his identity. In this new guise he begins to investigate the case against him. Knowing that he was framed, he finds out that the person who was supposedly murdered
is still alive. The corpse is that of an anonymous suicide victim whose identity was taken by
the person mistaken as the murdered person. The original victim's quandary is to untangle this mess without endangering himself, knowing that the person who is supposedly dead is in fact alive, dangerous and aware that he is not in jail. Fortunately, there is a girl.
Lunch
The woman with the deformed right hand
moved not much faster than a fence post
into the white tile-lined bathroom.
Behind the door she hacked and coughed,
spitting up disgusting noises for minutes.
No one was hungry after that.


~page 15~

What Works
I will put you in a comfortable chair.
Conveniently located, the table stands
below our elbows but above our knees.
If it were any higher
I could not look up into your eyes.
How soft is your skin, Marie?

Over the Mountain
The big hand points at 2 a.m.
while the little one points at the exit.

Baby just about made herself sick.
We knew he was gay, gay, gay
but he never confessed it.

Outrè
Pick the numbers off the curb.
Roan will not buy a car.
He lives on trash and thinks
about the pennies we owe him.
Jack obviously took the food,
took the clothes and papers.

Who ate that can of worms?


~page 16~

Fate
The bird is gone
and so is the dog.
One tree didn't live
but the other hangs on.

Let us step over
this stone in the road.
You know where I'm going
but why this load?

Let's just get through
this hole in the wall.
It can't be less.
No, more is all.

Let's get over
this bloody barricade.
If we only had stilts, I
guess we could wade.

Why didn't you know
this needed to be done?
Progress isn't ever finished.
We need plans and guns.


~page 17~

There Is a Woman in China
The feathers of morning
glow white as Iceland.

The blue vinca flower hides
under the wooden stoop.

Birds nest in the basket
hanging in the corner.

Hands up like a robber's victim,
give the wind a proper name.

A closed fist holds questions
but no one needs the answer.

Mother with her water bucket
hide the knives and money.

Something like blood oozes
out of something like stigmata.

Right roads may be wrong
but every step is so long.

Now that the dead remember
dreams are real as they feel.

One hundred years of plotlines
and the phone rings nonetheless.


~page 18~

Murders in Time
The victim is sent back into the near past
into circumstances which precipitate what
was at first thought of an and accident.
Because one victim fails to be killed, in effect
is not a victim, a second attempt is made.
Historical changes occur and the hero,
here known as Jack, becomes someone else.
A private insurance investigator picks it up
but only because he is openly gay. A clue?
Evidence comes to him via the beautiful
daughter who is mysteriously unaffected.
She has a photograph of the weapon.
If not for cryogenics no one would be able
to follow the money. The suspect is poor,
i.e., has no credit. Jack declines any help
but gets it anyway. The investigator turns.
Before anyone knows what's going on
everything is just the way it was, only now
there are stains. Like so many other crimes
this one goes unsolved. Everyone knows.

Gorgeous Frogs
All I want is to get warm
but the women won't leave me alone.


~page 19~

Directive
Admire
almost
anybody
that has
no fat.

Your Book
There are more pages
of introductory material
in your book, Gerald,
than I have ever written.
What am I saying?

The paper your publisher
used is thick and creamy,
acid free and linen.
Wish I could be so real.
Wish my type were cold.

No, if I could I would print
my poems on the moon.
The ladies will understand.

If Joe had a Feather
Women on the patio
feed an abandoned nestling.
It follows them like a dog.

~page 20~

Mambo's Garden
How elegant!
That bumblebee
perfectly set off
your acid green
beach towel.
It doesn't
seem to care
how your hips
rumba.

Symphony
First a pool of clarinets
bubbles a melody
over a fountain of flutes.
A ripple of violins
accents to swelling cellos.
The oboes on the shore
snore in beech chairs.
In the clouds a single bell,
a non sequitur of cymbals,
rattles and a trumpet trill
ride Rhinestone trombones.
The woman in a tuxedo bows
to a storm of slapping flesh.


~page 21~

Kora Zone
Mamselle Kora
come let me pluck
the 21 strings of your heart.
The ink freezes
and I cannot finish my verse.
Kora, mamselle moi,
I saw the saddest thing --
a gray cat with a dead mouse,
a toy hearse and black crepe.
Kora, your song
makes us dance deftly as
moths till our shoes bloom.
In my head
the flames of space
spinout distant and cold.
I'm as African, Kora
as any man
from the cradle.
How your fingers
tingle against my pockets.
If we are good
I know we will get to go
to the new moon.
Don't, Kora, leave it.


~page 22~

Sheriff's Sale – Today
What a disappointment
among the rusted autos
and broken guns
all the bicycles have flat tires.

The only decent looking slave
has a game foot
and more debt than equity;
not worth the trouble to chain him.

Need to change some laws,
push the legislature,
get some good blood
back on this auction block.

Alas, a Landscape
(to be seen as a cheap print in a humble abode)
In a forest the color of fire
the air turns bitter cold.
Flames let loose and fall.
The naked trees stand
like black veins
in the eyes of evening.
A blue moon smokes
over the lower fields.


~page 23~

Fair Day
Roan left his griffin at home
not knowing it could be shown.
By the time he got it back
puzzles were in the pudding.

Jack was juggling spades
like he was digging graves.
Now, there's half a man,
but, the devil, can he blow horns!

Any other mortal would bust lips.
Makes like a cavalry's charging.
Roan took Truth, that virgin bitch,
out to clip her wings. Clip! Clip!

O, she's perched right now.
Too bad about his griffin.

Unemployed
I quite my job last week.
I was working with a crazy woman
and couldn't take it any more.
I feel much better, thank you,
taking a bubble bath and
listening to Edith Piaf
in full-dimension Stereo.


~page 24~

Cinema
Jack went to a movie last night with Billy Bill.
They saw your classical guy flick, samurai.
Three hours long with operatic deaths.
Billy Bill spent a good deal of time looking
at the very thin, twenty-something man
two rows down and across the aisle.
The man's leg pumped up and down
nervously through the entire evening.
Once he seemed to laugh, but it could've
been a cough. Beautiful spasm. Who would laugh at such slaughter? Jack? Bill drew
every last detail down to a smooth sinew.
Perhaps he has this thing. Or just an eye.

Afterwards everyone went out for a smoke.


Liberated Blues
I'm so free my eyeballs
create whatever they see.

I'm so free you know what
I think before it's a thought.

I'm so free the word Wild
is way too mild for me.


~page 25~

Haute Couture
She wore a dollar bill
like it was a Bill Blass.
She knew better than to
put on her cancelled check.
Credit can cover everything
but she likes being seen.

Living Proof
Mother of turnips, this land is hard.
Tie teeth in a bow and bite the stone.
The wind stole the pillow and sleep.
Another egg-yolk colored sunrise.
The lion's not real but for real.
Don't stage a coup sans acteurs.
Let them have equity with truckers.
Tomorrow's weather freezes today.
Here everyone works for tears.
If you see a runner hide in the barn.
All the folks in town have gone.
We thought we were dead for sure
but it was only Jack's socks.
His sense of irony is kind of rusted.
How can a face maintain that puff?
She, Billy Bill's mom, claims to be.
We know a fiction when we meet.
This was at the Blue Water Club,
you know, over by the Hell-O Motel.


~page 26~

Kora on the Battlefield
Roan takes a cross-country bus home.
By the fourth day he is not happy.
The mountains do not pass fast enough.
His only friend got off at Winslow, AZ.
His self-exile took him farther than a field.
He brought a book but some jerk took it.
The stranger-girl next to him leans on him,
falls asleep on his arm; it grows numb.
Outside the sky's like powdered milk
only nothing's falling, nothing's blowing.

Volcanoes exploded 60,000 years ago
and the ground is still torn to shreds.

Travel
I am going to Ireland to see a pink sheep.
I'll be retiring this week from the IRS.
I want to china paint. I'm hungry enough
to paint cherries on saucers, on teacups.
I know all abouts. I study the betweens.
I, like it was yesterday, got these sandals
at the World's Largest Shoe Store in Denton.
Not for luck. That's not right. Just my size.
Don't forget my military service. My benefits.
My husband's supplemental. I am a princess.


~page 27~

Obituary Complaint
Please,
list the weight of the deceased.
We need to know by how much
the mass of humanity
has decreased.
Attention
All documents
in this office
are printed on
specially made
paper. Paper
designed so as
to be shredded
easily by hand.

All documents
in this office
must be shredded
before disposal.

All documents
must be disposed.

Please, use
your hands
here.

~page 28~